Tidal Wretch (2005) included in Hello Again, from November 13, 2026 - April 11, 2027 at the UC Irvine Langson Orange Museum of Art
Read MoreHello Again / UC Irvine Langson Orange County Museum of Art (Copy)
FXR (Ei Arakawa-Nash, Patty Chang, Pearl C. Hsiung, Amanda Ross-Ho, Anna Sew Hoy, Shirley Tse and Amy Yao) performance at the Getty Center, March 15, 2026. Photo: Emilio Alejandro
Fac Xtra Retreat (FXR) 24-HOUR CARE / Getty Center
in Performance
Fac Xtra Retreat (FXR) is a collective of seven Los Angeles-based Asian American artists and educators, including Ei Arakawa-Nash, who will represent Japan at the 2026 Venice Biennale. In 24-HOUR CARE, FXR asks what it means to care—for their students, their children, their elders, their community, and for each other—acknowledging care as both extraordinarily rewarding and frequently brutal.
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10 Jan - 22 Feb 2026
Chen Chunmu | Desmond Mah | Kanoko Takaya | Pearl C. Hsiung | Rick Shi | Tan Sock Fong | Teo Huey Ling
Prestige Gallery / 39 Keppel Rd #03-01, Tanjong Pagar Distripark, Singapore 089065
Cry Now / Prestige Gallery
Cry Now began with a conversation with artist Pearl C. Hsiung. During that exchange, we became aware of a subtle reality: while contemporary society works hard to conceal individual vulnerability, it has also grown increasingly desensitized to the fragility of the environment. There appears to be a connection between the two: our neglect of our own emotions often mirrors a growing indifference toward the world.
Read MoreArtist Talk / Pearl C. Hsiung /Prestige Gallery Singapore
in Event
Join us for an intimate Artist Talk with Pearl C. Hsiung, the Los Angeles-based Taiwanese-American artist known for her surreal, exuberant landscapes, immersive installations, and public art. Currently included in our exhibition "COLLECT:ED", Hsiung will visit Singapore for the very first time to meet collectors, art lovers, and audiences across Asia.
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Conversations: Voices of the Diaspora
in Event
In an afternoon session featuring a keynote speech by Indigenous Zapotec artist Porfirio Gutiérrez and two panels organized by the Asian American Pacific Islander (AAPI) Arts Network, diasporic artists, cultural workers, and educators convene to explore pathways toward transformation and inclusivity in education.
Read MoreCandlewood Arts Festival
in Public Art
This year’s festival features a diverse lineup of talented artists and educators, including Karla Diaz, Jake Frelich, Pearl C. Hsiung, Debra Scacco, and nearly 40 artists from Borrego Springs High School.
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Day Pages, Chan Gallery at Pomona College
Day Pages
Feb 14-April 1, 2024
Chan Gallery
Pomona College Studio Art Hall
370 Colombia Avenue
Claremont CA 91711
An exhibition of sketchbooks and working documents
Curated by Mercedes Teixido and Stas Orlovski
Day Pages is a look at process and exploration in the form of working drawings, notes, tools, and sketchbooks. It is a place of collecting and thinking and playing with words and images. These are things not made with an audience in mind but focused on connection to an impulse and the pursuit of the material manifestation of an idea.
The pages take many forms, from the studio ephemera of Lucille Paris, the informal sketches of Ben Shahn, to Russell Crotty’s large books documenting favorite sites of rock climbing and surfing. Pui Tiffany Chow allows us to see the abstraction of a figurative image in its progression and Lisa Anne Auerbach’s pages are preparatory drawings of personal libraries for her works in knitted tapestry.
This show is organized to be current with drawing exhibitions at the Benton Museum, 500 Years of Italian Drawing and Infinity on Paper: Drawings from the Collection of Jack Shear and the Benton.
Ben Shahn
Frederick Hammersley
Emily Joyce
Elijah Quetin
Pui Tiffany Chow
Lisa Anne Auerbach
Kari Gatzke
Solomon Salim Moore
Milford Zornes
Russell Crotty
Michael O’Malley
Prageeta Sharma
Salomón Huerta
Charles Long
Stas Orlovski
Chad Attie
Samira Yamin
Pearl C Hsiung
Lucille Paris
Mercedes Teixido
Artist Talk / Broad Museum
in Event
The Broad and Metro Art present Ann Hamilton, Pearl C. Hsiung, and Mungo Thomson in conversation. Moderated by Broad Curator and Publications Manager Ed Schad.
Read MoreMetro Art Announces Monumental Artworks in Three New Downtown Los Angeles Stations
in Public Art
Metro Art reveals new site-responsive artworks by eight acclaimed artists, which have been integrated into each level of three highly anticipated downtown Los Angeles Metro Rail stations.
Read MoreNot Yet: Pearl C. Hsiung
The Chan Gallery is pleased to announce Not Yet, a solo exhibition featuring works by Pearl C. Hsiung.
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January 7 - February 11, 2023
Lecia Dole-Recio
Kim Fisher
Pearl C. Hsiung
Alex Olson
Monique van Genderen
Margo Victor
Timothy Hawkinson Gallery
7424 Beverly Blvd.
Los Angeles, CA 90036
< They (Nachi), 2022, acrylic on canvas, 30 x 24 in.
A Brief Survey Of Shapes And Colors Observed In The Greater Los Angeles Basin / Timothy Hawkinson Gallery
A group exhibition of work by Lecia Dole-Recio, Kim Fisher, Pearl C. Hsiung, Alex Olson, Monique van Genderen, Margo Victor
Read MoreFAC XTRA RETREAT (FXR) / REDCAT
in Performance
Academia uses acronyms more than Gen Zers! Inspired by the many mandatory online training modules and follow-up quizzes required of instructors by their teaching institutions, FAC XTRA RETREAT (FXR) promises “learning outcomes” with a series of weird, hard, soft, informative, and sometimes physically challenging multiple-choice problems with answers deeply associated with each artist’s teaching philosophy
Read MoreGroup Show / 39+ Art Space, Singapore
The works that will be showcased exploring themes ranging from the very humanly structural concepts of knowledge and power to critical re-evaluations of the anthropocentric sublime, to the cosmic bridge between mind, space, and spirit. While vastly different in style and focus, they are united in that they are women of Asian descent who grew up and are pursuing their creative practice in America.
Read MoreVideo: preview the artwork at future Grand Av Arts/Bunker Hill Station
in Public Art
Piecing together parts of a large-scale glass mosaic mural in preparation for the future Grand Av Arts/Bunker Hill Station. Created by Pearl C. Hsiung, “High Prismatic” will tower 61 feet high over the station’s prominent concourse elevator lobby.
Read MoreThe Hearing Trumpet, Part I
The Hearing Trumpet
Part I
26 February – 26 March 2022
Organized by Danielle Shang
Galerie Marguo is pleased to present The Hearing Trumpet, Part I, the first installment of a group exhibition gathering artists of Asian descent from the Americas and Europe. The title of the exhibition is adopted from the late Leonora Carrington’s fantastical novel The Hearing Trumpet (1974).
The participating artists include Pio Abad, Naotaka Hiro, Pearl C. Hsiung, Ce Jian, Yeni Mao, Tammy Nguyen, Anna Sew Hoy, Sean Shim-Boyle, XIE Lei, ZHANG Yunyao, and Ye Qin Zhu. Their works span all disciplines and articulate negotiations of multiple and sometimes clashing histories and identities, the processing of trauma and new awareness, and different notions of temporalities and spatialities that are informed by personal memories, collective experiences, and conceived in different social and cultural contexts.
hyper(in)visibility
hyper(in)visibility panel discussion
About the Discussion:
This panel is held in solidarity with Black Lives Matter and all those globally denouncing systems of oppression, racism, and police brutality. We are vested in the global rebellion precipitated by George Floyd’s killing. As long as some groups are more vulnerable to violence and death than others, we will not be able to realize our full collective humanity or achieve racial justice.
In light of the pandemic, the pre-existing dysfunction within many systems and their leadership are magnified and racial, gender, and class inequalities exacerbated. The yellow woman’s body, historically rendered either invisible or as “object,” is now catapulted into hypervisibility amidst xenophobic questions of contagion, virility, and a history of scapegoatism.
Asian women occupy a precarious racial embodiment within their art practices and Western contemporary art, regularly experiencing institutional racism and tokenism. Their presence within the art world often produces a racial wedge between whiteness and other people of colour.
In conversation with Pearl C Hsiung, Maia Ruth Lee, Astria Suparak, Stephanie Syjuco, Hồng-Ân Trương, and Christine Tien Wang, host stephanie mei huang invites all to hear from six Asian women artists on reckoning with a racialized and gendered spectrum of visibility, moving through their practices with and of yellow embodiment, and the possibility of racial (or transgressively, non-racial) alternatives.
Convened by stephanie mei huang with Pearl C Hsiung, Maia Ruth Lee, Astria Suparak, Stephanie Syjuco, Hồng-Ân Trương, and Christine Tien Wang as part of Contemporary Calgary’s Collider residency May 1 - June 15, 2020.
Fault Zone
Opens November 16, 2019
FAULT ZONE / Visitor Welcome Center
The interdependence of human and nature have always been central to Pearl C. Hsiung’s painting, installation and video work. More recently, attention to the artificial has become forefronted in Hsiung’s meditation on human/nature interconnectedness to expand her focus into ideas surrounding a nature/human/artificial interface.
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THE VISION BOARD
Kopeikin Gallery
June 29th - August 24th, 2019
Pearl C. Hsiung
ure/an/ificial
2019
The Vision Board at Kopeikin Gallery
THE VISION BOARD
June 29th - August 24th, 2019
Reception for the Artists Saturday, June 29th from 6 - 9pm
Curated by Elizabeth Valdez
Participating artists: Rebecca Bird, Nancy Buchanan, Alejandro Cartagena, Jamison Carter, Carolyn Castaño, JooYoung Choi, Kevin Cooley, Joseph Cultice, Jen DeNike, Fabian Debora, Michael Dee, Margaret Griffith, Chris Finley, Carla Jay Harris, Pearl C Hsiung, Bettina Hubby, Salomon Huerta, Elizabeth Huey, Nina Katchadourian, Kiel Johnson, Kysa Johnson, Laura Krifka, Mark Licari, Jordie Oetken, Amy Park, William Powhida, Monique Prieto, Osceola Refetoff, Fawn Rogers, Gretchen Rollins, Erika Rothenberg, Katie Shapiro, Guy Richards Smit, Rodrigo Valenzuela, Elizabeth Valdez, Marnie Weber, Sarah Ann Weber, Christopher Williams and Melanie Wilhide.
Champagne fueled Curatorial Walk Through with Elizabeth Valdez
July 20th & August 10th at 12 Noon
"THE BEAUTY OF THIS CONCEPT IS THAT IT'S APPEALING
FOR MANY ARTISTS WITH DIVERSE BACKGROUNDS."
KOPEIKIN GALLERY
2766 S. La Cienega Blvd.
Los Angeles, CA 90034
310.559.0800
info@kopeikingallery.com
http://www.kopeikingallery.com
Primal Face, 2018, enamel and acrylic on MDF, wood, 10 ft x 15 ft x 10 ft
Installed at Crystal Bridges Museum of American Art
The Beyond / New Britain Museum of American Art
The Beyond places the pioneering modernist Georgia O'Keeffe in dialogue with contemporary artists who share her fascination with the natural world, abstraction, and the American landscape. Featuring 15 works, the exhibition traced O'Keeffe's enduring influence on artists working today, exploring themes of scale, color, perception, and the boundary between representation and abstraction.
Read MoreCandlewood Arts Festival March 29-31, 2019
On Saturday March 30, 2019, Holocene Screen, an outdoor sculpture created in collaboration with the youth of Borrego Springs, will be installed in Galleta Meadows in Borrego Springs. Holocene Screen, which explores the interconnected and transforming relationship of human/nature/artificial, will engage the public in these ideas as they are invited to add to and expand on this work sited out in the expanse of the Anza Borrego landscape.
http://candlewoodartsfestival.org