Fac Xtra Retreat (FXR) is a collective of seven Los Angeles-based Asian American artists and educators, including Ei Arakawa-Nash, who will represent Japan at the 2026 Venice Biennale. In 24-HOUR CARE, FXR asks what it means to care—for their students, their children, their elders, their community, and for each other—acknowledging care as both extraordinarily rewarding and frequently brutal.

Cry Now began with a conversation with artist Pearl C. Hsiung. During that exchange, we became aware of a subtle reality: while contemporary society works hard to conceal individual vulnerability, it has also grown increasingly desensitized to the fragility of the environment. There appears to be a connection between the two: our neglect of our own emotions often mirrors a growing indifference toward the world.

Join us for an intimate Artist Talk with Pearl C. Hsiung, the Los Angeles-based Taiwanese-American artist known for her surreal, exuberant landscapes, immersive installations, and public art. Currently included in our exhibition "COLLECT:ED", Hsiung will visit Singapore for the very first time to meet collectors, art lovers, and audiences across Asia.

The Broad and Metro Art present Ann Hamilton, Pearl C. Hsiung, and Mungo Thomson in conversation. Moderated by Broad Curator and Publications Manager Ed Schad.

Metro Art reveals new site-responsive artworks by eight acclaimed artists, which have been integrated into each level of three highly anticipated downtown Los Angeles Metro Rail stations.

The Chan Gallery is pleased to announce Not Yet, a solo exhibition featuring works by Pearl C. Hsiung.

Academia uses acronyms more than Gen Zers! Inspired by the many mandatory online training modules and follow-up quizzes required of instructors by their teaching institutions, FAC XTRA RETREAT (FXR) promises “learning outcomes” with a series of weird, hard, soft, informative, and sometimes physically challenging multiple-choice problems with answers deeply associated with each artist’s teaching philosophy

The works that will be showcased exploring themes ranging from the very humanly structural concepts of knowledge and power to critical re-evaluations of the anthropocentric sublime, to the cosmic bridge between mind, space, and spirit. While vastly different in style and focus, they are united in that they are women of Asian descent who grew up and are pursuing their creative practice in America.

Piecing together parts of a large-scale glass mosaic mural in preparation for the future Grand Av Arts/Bunker Hill Station. Created by Pearl C. Hsiung, “High Prismatic” will tower 61 feet high over the station’s prominent concourse elevator lobby.

The interdependence of human and nature have always been central to Pearl C. Hsiung’s painting, installation and video work. More recently, attention to the artificial has become forefronted in Hsiung’s meditation on human/nature interconnectedness to expand her focus into ideas surrounding a nature/human/artificial interface.

The Beyond places the pioneering modernist Georgia O'Keeffe in dialogue with contemporary artists who share her fascination with the natural world, abstraction, and the American landscape.